Light: Mirrors and Lenses

Chapter 10 · Science · Class 8 24 min read

Why This Matters

Have you ever looked at yourself in the back of a steel spoon? Your face looks huge and stretched. Flip the spoon over, look at the other side, and suddenly you are tiny and upside down. Same spoon. Same face. Two completely different pictures.

This is exactly what happened to a girl named Meena at a science centre. She walked up to a row of curved mirrors. In one, her face looked enormous. In the next, she was a tiny version of herself. Her brother, standing a little farther back, appeared upside down! She was puzzled, because she remembered that an ordinary mirror at home shows you just as you are.

So what is going on? Why do some mirrors flip you, some shrink you, and some blow you up like a balloon?

And it is not just mirrors. Look at a pencil standing in a glass of water — it looks broken at the surface. Look through a magnifying glass — tiny letters become big. Your own side-view mirror on a scooter even carries a warning: “Objects in mirror are closer than they appear.”

All of this is the science of light — how it bounces, how it bends, and how mirrors and lenses use those tricks. By the end of this chapter, none of it will be a mystery. You will know exactly why.

The Big Idea

Almost everything you see, you see because of reflected light. Light from a source (the Sun, a bulb) hits an object, bounces off it, and travels in straight lines into your eye. A mirror is just a very smooth, shiny surface that bounces light in a neat, organised way — so neat that it forms an image. When the mirror is flat, the image looks just like you. When the mirror is curved, it bends the bouncing rays together or apart, and the image changes size or flips over. A lens plays the same game but with light passing through it instead of bouncing off. Master two simple ideas — light reflects off surfaces and bends when it changes speed — and every mirror and lens in this chapter will make perfect sense.

Let’s Break It Down

First, how do we even see anything?

Before mirrors, let us settle one thing: why can you see this page at all?

A few things in the world make their own light — the Sun, a bulb, a flame, a firefly. But most things do not. A book, an apple, a wall, your friend’s face — none of them glow on their own. So how do you see them?

The answer is reflection. Light from a source falls on the object, and the object throws some of that light back. That thrown-back light enters your eye, and only then do you see the object. Turn off every light in a windowless room and you see nothing — not because the objects vanished, but because there is no light to bounce off them.

We lean on this idea all through the chapter, so let us lock it in with a quick refresher.

Figure 10.1 below shows this everyday bouncing of light from a light source, to an object, and into your eye.

The Sun or a bulb on the left sends light to an apple in the middle. The light bounces off the apple and travels in a straight line into an eye on the right. Two arrows show the two journeys of the light.
Figure 10.1 — Why we can see an apple. On the left is a light source (the Sun or a bulb). Arrow 1 (yellow) shows its light travelling in a straight line and hitting the apple in the middle. The apple does not glow on its own, but it throws the light back. Arrow 2 (red) shows that bounced-back light travelling, again in a straight line, into the eye on the right. Only when this reflected light reaches the eye do we see the apple. In a fully dark room there is no light to bounce, so we see nothing.

Reflection and its two laws

So light bounces off surfaces. But it does not bounce just any old way — it follows two strict rules. These are the laws of reflection. Let us build them up with the right words first.

When a ray of light hits a mirror, the ray going in is called the incident ray. The ray coming back is called the reflected ray. Now here is the clever part. At the exact spot where the ray hits, we draw an imaginary line straight out from the mirror, at 90° to its surface. This line is called the normal. (“Normal” here just means a line at a right angle to the surface — nothing to do with “ordinary”.)

We measure both angles from this normal, not from the mirror:

  • The angle between the incident ray and the normal is the angle of incidence, written i.
  • The angle between the reflected ray and the normal is the angle of reflection, written r.

Now the first law. Let us see it as a picture before we say it in words.

A flat plane mirror with a dashed normal line standing straight up at point O. An incident ray comes down from the upper left to O, and a reflected ray leaves O to the upper right. The angle of incidence is 40 degrees and the angle of reflection is also 40 degrees, both measured from the normal.
Figure 10.2 — The first law of reflection in action. The flat line at the bottom is the plane mirror, with little hatch marks showing its non-shiny back. At point O, the green dashed line going straight up is the normal — drawn at 90 degrees to the mirror. The blue incident ray comes in from the upper left and strikes O. The red reflected ray bounces off to the upper right. The angle of incidence i is 40 degrees and the angle of reflection r is 40 degrees — both measured from the normal, and both exactly equal. Notice how the two rays are perfect mirror images of each other across the normal.

As Figure 10.2 shows, when i = 40°, the reflected ray also leaves at r = 40°. Change the angle of the incoming ray and the reflected ray shifts to match — but i and r always stay equal. That is the first law:

Law 1: The angle of incidence is equal to the angle of reflection (i = r).

Here is a neat special case to fix the idea. If the ray comes straight down along the normal, then i = 0°. The light has no sideways lean at all, so it has no reason to bounce off to one side. It simply bounces straight back the way it came, with r = 0°. Both angles are zero.

Now the second law. It is about which flat sheet (plane) the rays live on. Imagine the incident ray, the normal and the reflected ray all drawn on a single flat sheet of paper. The second law says they really do all sit on that one sheet — none of them lifts off to the side.

Law 2: The incident ray, the normal, and the reflected ray all lie in the same plane.

How do we know this is true? Picture shining a beam onto a mirror placed on a flat sheet, with part of the sheet sticking out over the edge of the table. The reflected beam runs neatly along the flat sheet. Now fold that sticking-out part downwards. The reflected beam vanishes from it! That is because folding the paper made a new plane, and the reflected ray was never on that new plane — it stays on the original flat one, together with the incident ray and the normal.

Let us make sure the wording of the first law is crystal clear.

Concept check

A ray hits a mirror so that the angle between the ray and the mirror surface is 50°. What is the angle of incidence, and what is the angle of reflection?

Why do the angles come out equal?

NCERT tells you i = r and moves on. But why should the bounce be so perfectly balanced? Let us see the reason, because it is beautiful and simple.

Think of throwing a rubber ball at a smooth floor. If you throw it straight down, it bounces straight back up. If you throw it at a slant, it bounces off at the same slant on the other side — a gentle throw makes a gentle bounce, a steep throw makes a steep bounce. Light behaves like this perfect, no-energy-lost bounce.

Here is the deeper reason. Light always takes the quickest path between two points. Imagine a lifeguard on a beach who must run along the sand and then swim out to a person in the sea. To save the most time, there is one best spot to enter the water. Work out that fastest path and it turns out the angle coming in (over the sand) matches the angle going out (the line to the swimmer), measured from the line straight out to sea — exactly like i = r measured from the normal. Light “chooses” the path that gets it from the source to your eye in the least time, and that path is the one where the two angles are equal. Nature is just being efficient. That is why the bounce is so perfectly symmetric, as you saw in Figure 10.2.

The image in a plane mirror

You look in a flat bathroom mirror every day. The image you see has four clear features. Let us list them, then explain the strangest one.

  • It is upright (erect) — your head is up, not down.
  • It is the same size as you.
  • It appears to be behind the mirror, the same distance back as you are in front.
  • It is laterally inverted — left and right are swapped.

The first three are easy to accept. But why does the image look like it is behind a solid mirror, where there is only a wall? Figure 10.3 below shows the trick your eye plays.

An upright blue object arrow stands in front of a vertical mirror. Two rays from the top of the object hit the mirror and reflect into an eye on the right. Dashed lines extend the reflected rays backwards through the mirror, where they meet at the tip of a dashed purple image arrow, the same height and the same distance behind the mirror.
Figure 10.3 — How a plane mirror makes the image look like it is behind the glass. The blue arrow on the left is the real object. Two rays leave the top of the object, hit the mirror, and reflect into the eye on the right (solid coloured lines, each obeying i = r). Your brain assumes light always travels straight, so it traces these reflected rays straight backwards (the dashed lines) to find where they seem to start. The dashed lines meet behind the mirror at the tip of the purple arrow — the image. No light actually goes behind the mirror, which is why we call it a virtual image. The image is the same height as the object and sits the same distance behind the mirror as the object is in front.

So the image is not really behind the mirror — no light goes there. Your eye just traces the reflected rays backwards in a straight line and lands behind the glass. An image like this, where no real light meets and which you cannot catch on a screen, is called a virtual image.

Now the famous left-right flip. Why does a mirror swap left and right but not up and down? Figure 10.4 below makes it clear.

On the left, a card shows the letter b and a note that you raise your right hand. On the right, inside the mirror, the same card shows the letter looking like d, and the image raises its left hand. Up and down are unchanged.
Figure 10.4 — Lateral inversion. On the left is the real you, holding a card with the letter b and raising your right hand. On the right is your mirror image. The letter now looks like d, and the image appears to raise its left hand. The top of the letter is still at the top and the bottom is still at the bottom — up and down do not change. Only left and right are swapped. This left-right swap in a mirror is called lateral inversion.

Here is the honest explanation. The mirror does not really swap left for right. It swaps front and back — it flips the part of you facing the mirror to face away. Think of pressing a wet stamp onto paper: the side touching the paper gets flipped over. Because we are roughly the same on our left and right, our brain reads that front-back flip as a left-right swap. (Up and down are not affected, because the flip is along the line pointing into the mirror, not up the body.)

This is why the word AMBULANCE is painted reversed on the front of the vehicle. A driver ahead glances in their mirror, the mirror flips it back, and they read “AMBULANCE” correctly — and pull aside.

Curved mirrors: concave and convex

A flat mirror is only the start. A spherical mirror is a mirror whose surface is curved, like a small piece cut from a hollow ball. There are two kinds, and you already met them on a spoon.

  • A concave mirror curves inwards — like the inside (the bowl) of a spoon.
  • A convex mirror curves outwards — like the back of a spoon.

Why do these change the image? Because of the very same law of reflection (i = r), but now the surface is curved, so the normal points in a slightly different direction at every spot. The result is that parallel rays do not stay parallel after bouncing. Figure 10.5 below shows what happens.

Two panels. (a) A concave mirror curving inwards: three parallel rays hit it and the reflected rays come together at a single point called the focus. (b) A convex mirror curving outwards: three parallel rays hit it and the reflected rays spread apart, with dashed lines tracing them back to a point behind the mirror.
Figure 10.5 — How curved mirrors treat a set of parallel rays. In panel (a), the concave mirror curves inwards. Three parallel blue rays come in, and after reflecting (each still obeying i = r) they all meet at one point in front of the mirror — the focus F (red dot). Concave mirrors CONVERGE light: they gather it together. In panel (b), the convex mirror curves outwards. Three parallel rays come in and the reflected rays spread apart. Tracing them backwards (dashed lines) shows they seem to come from a point F behind the mirror. Convex mirrors DIVERGE light: they spread it out. The grey dashed line through each mirror is the principal axis.

This converging power of a concave mirror is genuinely useful — and a little dangerous. Hold a concave mirror facing the Sun and let it gather the sunlight onto a small spot of paper. So much light energy piles up at that point that the paper can heat up and even start to burn. Big versions of this idea, called solar concentrators, focus sunlight to heat water into steam and run machines, or even to melt steel in a solar furnace.

Now, what kind of image does each curved mirror give? This is what puzzled Meena. The key is how far the object is from the mirror.

For a concave mirror: when the object is close, the image is erect and enlarged (bigger than the object). As you move the object farther away, the image flips to inverted, and it keeps getting smaller. That is why Meena looked huge when close, but her brother, standing farther back, was upside down.

For a convex mirror: the image is always erect and diminished (smaller than the object), no matter where the object is. As the object moves away, the image just gets a little smaller. Because it shrinks everything, a convex mirror packs a wide view into a small mirror.

Figure 10.6 below puts all three mirrors side by side with the image each gives and where we use it.

Three columns. Plane mirror: image same size and erect, used for looking at yourself. Concave mirror: image large and erect when object is close, used in dentist's mirrors and torch reflectors. Convex mirror: image always small and erect with a wide view, used in vehicle side-view mirrors and shop security mirrors.
Figure 10.6 — The three mirrors compared. Left column, the plane mirror: a blue object arrow and an equal dashed purple image arrow show the image is always the same size and erect — used for everyday mirrors at home and in shops. Middle column, the concave mirror (curves inwards): when the object is close, the image is large and erect — used in a dentist's mirror to magnify teeth and in torch and headlight reflectors to throw a strong beam. Right column, the convex mirror (curves outwards): the image is always smaller and erect with a wide view — used as a vehicle side-view mirror, at sharp road bends, and as a shop security mirror. Blue arrow is the object, dashed purple arrow is the image you see.

This explains the warning “Objects in mirror are closer than they appear” on a scooter or car side mirror. The convex mirror shrinks everything, which makes a vehicle behind look smaller — and our brain reads “small” as “far away”. So the warning reminds the driver that the vehicle is actually nearer than it seems. The trade-off is worth it, because the convex mirror also shows a much wider stretch of road behind.

Let us check the idea that distance changes a concave mirror’s image.

Concept check

A woman walks slowly towards a large concave mirror in a museum, starting from far away. How does her image change as she gets closer?

Refraction: why light bends

Now we leave mirrors and look at what happens when light passes through a clear material like water or glass, instead of bouncing off it.

Stand a pencil in a glass of water and look from the side. The pencil seems to break and shift at the water surface. The pencil is perfectly straight, of course — so why does it look bent?

The reason is that light bends when it passes from one clear material into another. This bending is called refraction. And the cause of the bending is one simple fact:

Light travels at different speeds in different materials.

It is fast in air, and slower in water and glass.

Why does a change in speed cause bending? Here is a picture that makes it click. Imagine a row of friends walking in a straight line, holding hands, marching from a smooth road onto soft, muddy ground at a slant. The end that reaches the mud first slows down, while the others are still on the fast road. Because one end slows before the rest, the whole line swings round and changes direction. Light does exactly this. When a slanting ray crosses from fast air into slow water, the edge that enters first slows down before the rest, so the ray swings and bends.

Which way does it bend? When light enters a slower material (air into water), it bends towards the normal. Figure 10.7 below shows both the bending ray and the bent-pencil effect it causes.

Two panels. (a) Air on top, water below, with a dashed normal at the surface. A ray comes down through the air and, on entering the water, bends towards the normal. A grey dashed line shows the straight path it would have taken without bending. (b) A pencil standing in a glass of water looks broken and shifted at the water surface.
Figure 10.7 — Refraction — light bending as it changes speed. In panel (a), the top region is air (light is fast) and the bottom is water (light is slower). The green dashed line is the normal, drawn at 90 degrees to the surface at point O. The orange incident ray comes down through the air and strikes O. On entering the water it bends TOWARDS the normal and continues as the red refracted ray. The grey dashed line shows where the light would have gone if it had not bent — you can see the real path is bent closer to the normal. Panel (b) shows the everyday result: a pencil standing in a glass of water looks broken and shifted at the surface, because the light from the lower part of the pencil bends as it leaves the water before reaching your eye.

So the pencil looks broken because the light coming from its underwater part bends as it crosses the water surface on the way to your eye. Your brain, assuming light travelled straight, places that part in the wrong spot — and the pencil appears to jump sideways at the surface. The same speed-change is why a swimming pool always looks shallower than it really is.

Lenses: convex and concave

A lens is a piece of clear glass or plastic with curved surfaces. Unlike a mirror, light goes through a lens, and refraction (bending) at its two curved surfaces is what makes it work. There are two kinds, named just like the mirrors:

  • A convex lens is thicker in the middle than at the edges. (A magnifying glass is a convex lens. So is the lens inside your own eye.)
  • A concave lens is thinner in the middle than at the edges.

What do they do to light? A convex lens bends all the rays inwards so they meet — it converges light. A concave lens bends rays outwards so they spread — it diverges light. Figure 10.8 below shows both.

Two panels. (a) A convex lens, thick in the middle: three parallel rays pass through and bend together to meet at a focus point on the far side. (b) A concave lens, thin in the middle: three parallel rays pass through and spread apart, with dashed lines tracing them back to a focus on the same side they came from.
Figure 10.8 — How the two lenses treat parallel rays. In panel (a), the convex lens is thick in the middle. Three parallel green rays pass through it, bend inwards, and meet at the focus F on the far side — so a convex lens is a CONVERGING lens. In panel (b), the concave lens is thin in the middle. Three parallel blue rays pass through and bend outwards, spreading apart; the dashed lines trace them back to a focus F on the side they came from — so a concave lens is a DIVERGING lens. The grey dashed line is the principal axis. Just like the curved mirrors, the shape of the lens decides whether light is gathered or spread.

Because a convex lens gathers light, it can do the same Sun trick as a concave mirror: focus sunlight to a tiny bright spot hot enough to burn paper. (Never look at the Sun directly or through a lens — it can harm your eyes.)

And what images do lenses give? You will notice the pattern matches the mirrors closely.

  • A convex lens: with the object close, you see it erect and enlarged — this is the magnifying-glass effect. As the object moves farther, the image becomes inverted, first large and then smaller.
  • A concave lens: the image is always erect and diminished (smaller), wherever the object is.

Lenses are everywhere: in spectacles that help people see clearly, in cameras (including your phone), in telescopes that bring distant stars closer, and in microscopes that reveal tiny things. Even your eye has a convex lens inside it — an amazing one that changes its own shape so you can focus on a book up close and a building far away.

Let us pull the two lenses together in one view.

What you compareConvex lensConcave lens
ShapeThicker in the middle than at the edgesThinner in the middle than at the edges
Effect on parallel lightConverges it (brings rays together)Diverges it (spreads rays apart)
Image when object is closeErect and enlarged (magnifies)Erect and diminished (smaller)
Image when object is farInverted, gets smallerStill erect and diminished
Everyday exampleMagnifying glass, eye lens, cameraUsed in some spectacles for the eye

Common Mistakes

These are the slip-ups students make most often. Read them once and you will sidestep all three.

⚠️ Common mistake
What students think

The angle of incidence is the angle between the light ray and the surface of the mirror.

Why it seems right

When we look at a ray hitting a mirror, the gap between the ray and the flat mirror is the angle that jumps out at us, so it feels natural to call that the angle of incidence.

What actually happens

The angle of incidence is measured from the normal — the line drawn at 90° to the mirror — not from the mirror surface. If a ray makes 30° with the mirror surface, it makes 60° with the normal, so the angle of incidence is 60°. Always draw the normal first, then measure both angles from it.

⚠️ Common mistake
What students think

A convex mirror makes things look closer, so vehicles behind you are actually closer than the warning admits.

Why it seems right

The side-mirror warning literally says 'objects are closer than they appear', so it sounds like the mirror is hiding how near a vehicle really is, which feels alarming.

What actually happens

It is the opposite. A convex mirror makes things look SMALLER, and our brain reads 'small' as 'far away'. So a vehicle looks farther than it really is. The warning corrects this — the vehicle is actually closer than the small image makes it seem. The mirror is helping, by also giving a much wider view of the road.

⚠️ Common mistake
What students think

A pencil in water really bends or breaks at the surface.

Why it seems right

Our eyes clearly show the pencil with a kink at the water line, and we tend to trust what we see, so it looks as though the water physically bent the pencil.

What actually happens

The pencil stays perfectly straight. It only looks bent because light from its underwater part bends (refracts) as it leaves the water on the way to your eye. Your brain assumes the light came straight and places that part in the wrong spot, creating the illusion of a break. Lift the pencil out and it is clearly straight.

Quick Check

Try each one. Each question checks a single idea from the chapter.

A light ray hits a plane mirror. The angle between the incident ray and the normal is 40°. What is the angle between the reflected ray and the normal?

A light ray falls on a mirror exactly along the normal (straight onto the surface). What is the angle of reflection?

Which mirror is used as a side-view mirror on vehicles, and why?

Why does a pencil standing in a glass of water look bent at the water surface?

Practice Problems

Try each one yourself first. Only then tap to see the full solution.

Easy

easy

State the two laws of reflection in your own words.

easy

A magnifying glass makes letters look bigger. What type of lens is it — convex or concave? Give one reason.

Medium

medium

A light ray strikes a mirror so that it makes an angle of 25° with the mirror surface. Find the angle of incidence and the angle of reflection.

medium

Explain why the word 'AMBULANCE' is written in reverse on the front of an ambulance.

Challenge

challenge

Meena stands very close to one curved mirror and looks huge and the right way up. Her brother stands far from the SAME mirror and looks small and upside down. What type of mirror is it? Explain how this single mirror gives such different images, and name one real-life use of it.

Summary

Here is everything you can now explain to a friend:

  • We see most things by reflected light — light from a source bounces off the object into our eye. Light travels in straight lines, which we draw as rays.
  • A mirror reflects light neatly enough to form an image.
  • The two laws of reflection: (1) the angle of incidence equals the angle of reflection, both measured from the normal; (2) the incident ray, the normal and the reflected ray lie in the same plane. These hold for all mirrors.
  • A plane mirror gives an image that is erect, the same size, behind the mirror (virtual), and laterally inverted (left-right swapped).
  • A concave mirror curves inwards and converges light. Its image is enlarged and erect when the object is close, and inverted when the object is far. Used in dentist’s mirrors, torch and headlight reflectors.
  • A convex mirror curves outwards and diverges light. Its image is always small and erect, with a wide view. Used as vehicle side-view mirrors, at road bends, and as shop security mirrors.
  • Refraction is the bending of light when it passes between materials, because light has different speeds in them (fast in air, slower in water and glass). It bends towards the normal when entering a slower medium. This is why a pencil in water looks bent.
  • A convex lens is thick in the middle and converges light (a magnifying glass, the eye lens). A concave lens is thin in the middle and diverges light. Lenses are used in spectacles, cameras, telescopes, microscopes and our own eyes.

What’s Next

You have just seen how light from the Sun bounces and bends to let us see the world. But the Sun does much more than light our way — its daily journey across the sky has been humanity’s clock and calendar for thousands of years.

In the next chapter, Chapter 11 — Keeping Time with the Skies, you will discover how the movement of the Sun, the Moon and the stars gives us days, months and years — and how a simple shadow can tell the time. Keep that curiosity glowing!

Frequently Asked Questions

What are the two laws of reflection of light?

The first law says the angle of incidence is equal to the angle of reflection. Both angles are measured from the normal, which is a line drawn at 90 degrees to the mirror at the point where the light hits. The second law says the incident ray, the normal, and the reflected ray all lie in the same flat plane. These two laws are true for every mirror — plane, concave and convex.

What is the difference between a concave mirror and a convex mirror?

A concave mirror curves inwards, like the inside of a spoon, and it makes parallel light rays come together (converge). A convex mirror curves outwards, like the back of a spoon, and it makes parallel rays spread apart (diverge). A concave mirror can give a large erect image when an object is close and an inverted image when it is far. A convex mirror always gives a small erect image with a wide view.

What is lateral inversion in a plane mirror?

Lateral inversion means that left and right get swapped in a mirror image, while up and down stay the same. If you raise your right hand, your mirror image seems to raise its left hand. The word AMBULANCE is printed reversed on the front of the vehicle so that a driver looking in their mirror reads it the correct way round.

Why does light bend when it goes from air into water?

Light travels at different speeds in different materials. It is faster in air and slower in water and glass. When a slanting ray of light crosses from air into water, the part that enters first slows down before the rest, so the ray changes direction and bends towards the normal. This bending is called refraction, and it is why a pencil in a glass of water looks bent or broken at the surface.

What is the difference between a convex lens and a concave lens?

A convex lens is thicker in the middle than at the edges, and it brings parallel light rays together to a point, so it is called a converging lens. A concave lens is thinner in the middle than at the edges, and it makes parallel rays spread apart, so it is called a diverging lens. A magnifying glass and the lens in our eye are convex lenses.