The Age of Reorganisation
Why This Matters
Imagine a very big school. It has one principal. The principal makes all the rules for everybody. The whole school follows one plan.
Now imagine that principal leaves, and no new principal comes. What happens? Slowly, each class starts making its own rules. The Class 7 teacher runs Class 7 her own way. The Class 8 teacher does something else. There is no longer one big plan. Now there are many small plans.
Something like this happened in India a very long time ago. There was one huge empire — the Maurya empire. One emperor ruled a giant piece of land. Then that empire broke apart. In its place, many smaller kingdoms grew up. Each had its own king. Each made its own rules.
This may sound like a sad, messy time. But here is the surprise. It was actually one of the most creative times in Indian history. Trade grew. Beautiful art was made. New coins were struck. People from far-off lands came to India and mixed in. Ideas travelled.
In this chapter, we will travel through this busy, colourful period. It runs from about 200 BCE to 300 CE — roughly 500 years. Let us see what happened when one big empire became many.
The Big Idea
After the Maurya empire broke up around 185 BCE, no single ruler controlled all of India. Instead, the land was reorganised into many new kingdoms, each fighting to grow stronger. That is why this whole period (about 200 BCE to 300 CE) is called the Age of Reorganisation — “reorganise” just means to arrange something into a new shape. Some of these kingdoms grew from inside India (like the Shungas, Satavahanas, Chedis, and the southern Cholas, Cheras and Pandyas). Others were invaders from outside who came in through the northwest and then settled down here (the Indo-Greeks, Shakas and Kushanas). Even with all this fighting, it was a golden time for trade, coins, art and the mixing of cultures. Most rulers proudly respected every religion and school of thought — a habit that became a deep part of the Indian way.
Let’s Break It Down
We will go step by step. First, how the big empire broke up. Then the kingdoms that grew inside India — north, east, the Deccan, and the far south. Then the invaders who came from outside. Then trade, coins and art. Let us begin.
How one big empire became many kingdoms
In the last chapter, you read about the great Maurya empire and the famous emperor Ashoka. The Mauryas ruled a huge part of the subcontinent.
But after Ashoka, the empire grew weak. We do not know much about the rulers who came after him. What we do know is this. The last Maurya emperor was killed around 185 BCE by his own army chief, a man named Pushyamitra Shunga. (“Commander-in-chief” just means the head of the army.)
With the emperor gone, the empire fell apart. Many regions that had once obeyed the Maurya emperor now became free, separate kingdoms. Each had its own ruler. Each wanted to grow bigger than its neighbours.
The picture below shows this big change. Figure 6.1 shows how one giant empire turned into many smaller kingdoms.
Why do scholars call this the “Age of Reorganisation”? Because the old map of India was being re-arranged into new shapes. Old regions became new kingdoms. The borders kept changing as kings fought, made peace, and fought again. The map of India did not stay still — it kept being reorganised.
How did kings try to grow bigger? In two main ways.
- By peace — through a matrimonial alliance. This means two kingdoms become friends by a marriage. (“Matrimonial” comes from “matrimony”, which means marriage.) For example, a king might give his daughter in marriage to the prince of a neighbouring kingdom. Now the two royal families are joined by family ties, so they are less likely to fight.
- By war — simply by attacking a neighbour and taking their land.
Borders were the big prize. A king badly wanted to control the lands at the edges of his kingdom. Why? Because if an enemy held the border, they could march in and attack. Holding the border kept the kingdom safe.
Why is this whole period called the 'Age of Reorganisation'?
Because after the Maurya empire broke up, India’s old regions were re-arranged (“reorganised”) into many new kingdoms, and the borders kept changing as these kingdoms competed to grow stronger.
Kingdoms that grew inside India
Several strong kingdoms rose up from within the subcontinent. Let us meet the main ones, region by region. The map below will help you keep track of who was where.
Figure 6.2 below is a simple sketch map. It shows roughly where each main kingdom sat.
The Shungas (north and central India). Remember Pushyamitra Shunga, the army chief who ended the Maurya empire? He started his own line of kings — the Shunga dynasty. (A dynasty is a family of rulers, where the throne passes from one family member to the next, like father to son.) The Shungas ruled parts of north and central India.
Pushyamitra performed a grand Vedic ritual called the ashvamedha yajna, the “horse sacrifice”. Let us pause and understand this, because it tells us a lot about how kings showed their power.
The Shungas loved art and learning. Sanskrit became a favourite language for poems and serious books. (You may have heard of the Yoga Sutras, the famous text about yoga — these were put together by Patanjali during this period.) The Shungas also added to the beautiful Bharhut Stupa in present-day Madhya Pradesh, carving railings with scenes from the Buddha’s life. These are some of the earliest examples of Buddhist art. Notice this: the Shungas brought back Vedic rituals, yet they also helped Buddhist art. Both lived side by side.
The Satavahanas (the Deccan). To the south of the Shungas, across the Deccan (the wide plateau in the middle of India), rose a powerful kingdom — the Satavahanas. They are sometimes called the “Andhras”. Their lands covered much of present-day Andhra Pradesh, Telangana and Maharashtra. Their famous capital cities were Amravati and Pratishthana (today’s Paithan).
The Satavahanas were great traders. We know this because of their coins. Many of their coins have been found from Gujarat to Andhra Pradesh — that is, on both the western and the eastern coasts of India. Some coins even show a ship with two masts. (A mast is the tall pole that holds a ship’s sail.) A picture of a ship on a coin tells us that sea trade mattered a great deal to them, and that they built good ships.
They traded far. Their goods reached even the Roman Empire, far away in Europe. India sent out spices, textiles, sandalwood, ivory and pearls. India brought in glass and perfumed ointments. Taxes on all this trade made the kingdom rich.
One Satavahana custom is special, and worth thinking about. Princes were often named after their mothers, not just their fathers. For example, the famous king Gautamiputra Satakarni was named after his mother, Gautami Balashri — “Gautami-putra” means “son of Gautami”. She was a powerful queen who gave land to Buddhist monks and had an important message carved in stone at Nashik. This shows how much respect and power some queens had.
The Satavahanas mostly worshipped Vasudeva (another name for Krishna). But, like the Shungas, they were open to all beliefs. Their kings gave tax-free land to Vedic scholars, and to Jain and Buddhist monks alike, so these people could study and pray in peace.
In the 3rd century CE, the Satavahana kingdom split into smaller pieces. The main reason was a weak centre — the central government became too weak to hold the kingdom together — along with money troubles. Once again, smaller regional powers rose up to take its place.
Let us pause on one big idea here, because it explains why coins are so useful to historians.
A historian digs up an old Satavahana coin in Gujarat, far from the Satavahana heartland in the Deccan. The coin shows a two-masted ship. What two things can the historian learn from just this one coin?
- First, think about where the coin was found. It was found in Gujarat, far from the Satavahana home region. Coins do not walk by themselves — people carry them. So someone carried this coin a long way. That tells us there was active trade between the Deccan and Gujarat. Traders moved goods and money across these regions.
- Next, look at what is on the coin. It shows a ship with two masts. Kings put on coins things they were proud of. A ship suggests the Satavahanas cared about sea trade and could build good ships to sail the oceans.
- So from this single coin the historian learns two things: (1) the Satavahanas traded over long distances, reaching Gujarat; and (2) they had sea trade and shipbuilding skill. A tiny coin becomes a clue about a whole kingdom’s way of life.
The Chedis of Kalinga (the east). Do you remember the terrible Kalinga war from the Maurya chapter — the war that changed Ashoka’s heart? After the Mauryas weakened, Kalinga (in today’s Odisha, in the east) rose up again, this time under the Chedi dynasty.
Their best-known king was Kharavela. He was a devoted follower of Jain teachings. People sometimes called him bhikshu-raja, the “monk-king”. Yet he respected every religion. Near Bhubaneswar, the famous Udayagiri–Khandagiri caves were cut into the rock, most likely for Jain monks, with carved panels and roomy chambers.
One cave holds the Hathigumpha inscription — a long message carved in stone (in the Brahmi script) that records Kharavela’s deeds year by year: his battles and his good works for his people. In it, Kharavela proudly calls himself a “respecter of every sect and repairer of every temple”. This idea — a ruler who protects all faiths — comes up again and again in this age. It is a deep part of what we may call the Indian ethos (the basic spirit or values of a people).
Kharavela was a devoted follower of Jainism. Did that mean he was against other religions? What does his inscription tell us?
No. His Hathigumpha inscription proudly calls him a “respecter of every sect and repairer of every temple”. So even though he personally followed Jainism, he protected and respected all faiths — exactly the open, respect-for-all attitude that was common among rulers of this age.
Kingdoms and life in the South
Far down in the south, a different story was unfolding. This region had stayed independent even at the height of Maurya power — Ashoka mentions these southern kingdoms in his edicts as lands beyond his empire.
Between about the 3rd century BCE and the 3rd century CE, three powerful kingdoms rose in the south: the Cheras, the Cholas and the Pandyas. They often fought one another for control of the south, but together they made the region rich in trade and culture.
This age in the south is also called the Sangam Age, after Sangam literature — the oldest writing in south India. Let us understand the word.
The Cholas. The Cholas ruled parts of south India for a very long time — from about the 3rd century BCE all the way to the 13th century CE. An early Chola king, Karikala, is said to have beaten the combined armies of the Cheras and Pandyas. Karikala did a great deed for his people. He built the Kallanai, also called the Grand Anicut — a clever stone dam across the Kaveri river that sent water to more farmland. This let farmers grow much more rice, which is why the area was nicknamed the “rice bowl of the South”. Amazingly, the Grand Anicut has been repaired over the centuries and is still in use today, helping millions of farmers in Tamil Nadu.
A famous Tamil epic, the Silappadikaram (“The Tale of the Anklet”), comes from soon after the Sangam poems. It tells the story of Kannagi and her husband Kovalan, and centres on justice and a ruler’s duty to protect it. Even today, Kannagi is honoured in Tamil Nadu and Kerala.
The Cheras. The Cheras (also called Keralaputra, “sons of Kerala”) ruled the western parts of Tamil Nadu and Kerala, with their capital at Vanji (present-day Karur). They encouraged Tamil poetry and supported Sangam poets. They were famous for trade with the Roman Empire and West Asia, sending out spices, timber, ivory and pearls.
The Pandyas. The Pandyas ruled parts of Tamil Nadu, with their capital at Madurai. They go back several centuries BCE. The Greek writer Megasthenes, in his book Indika, called the Pandya kingdom prosperous and well-run, busy with trade with the Greeks and Romans. The Pandyas were a strong naval power (a kingdom with a powerful navy — that is, ships of war) and were famous for their pearls. Their inscriptions show that the kings cared deeply for their people and, once again, encouraged all schools of thought.
Let us compare these three southern kingdoms side by side, so they are easy to keep apart.
| Kingdom | Where it ruled | Capital | Famous for |
|---|---|---|---|
| Cholas | Parts of south India (Kaveri delta) | Puhar / Kaveripattinam | King Karikala and the Grand Anicut dam, still used today |
| Cheras | Western Tamil Nadu and Kerala | Vanji (Karur) | Trade with Rome and West Asia; supporting Tamil poetry |
| Pandyas | Parts of Tamil Nadu | Madurai | Strong navy and famous pearls; praised by Megasthenes |
The invaders who came from outside
So far, every kingdom we have met grew up inside India. Now we turn to a very different kind of change. During this same period, invaders entered from outside, through the northwest frontier (the northwestern edge of the subcontinent).
Remember from the first diagram why the northwest was the weak spot? When the Mauryas fell, the northwest region became weak and unguarded. This made it an easy door for outsiders to enter.
Here is the wonderful part. These outsiders came as conquerors — but India did not stay foreign to them. They mixed in. They liked Indian culture, married into it, used Indian gods on their coins, and slowly became part of Indian life. Their cultures and India’s cultures blended together.
The Indo-Greeks. Long ago, the Greek king Alexander had marched into the Indus plains and then turned back. When he left, he kept some of his governors (called satraps) behind. Over time, these Greek rulers set up their own independent kingdoms in the northwest (roughly today’s Pakistan and Afghanistan). They came to be called the Indo-Greeks — Greek by origin, but living in India and deeply shaped by Indian culture.
We learn most of what we know about them from their coins, dug up by archaeologists. The coins were made of gold, silver, copper and nickel. Often a king is shown on one side and a Greek god on the other. But here is the telling detail: some coins instead show Indian gods like Vasudeva-Krishna and Lakshmi. A Greek-origin ruler putting Indian gods on his money — that is the blending of cultures, right there in your hand.
The Heliodorus pillar near Vidisha (in Madhya Pradesh) is another lovely example. It was set up by an Indo-Greek ambassador named Heliodorus, whose inscription praises Vasudeva as the “god of gods”. A Greek honouring an Indian god in stone — cultures coming together again.
The Shakas (Indo-Scythians). After the Indo-Greeks came another group from outside, the Shakas (also called Indo-Scythians). They too invaded the northwest and ruled for a long time, from the late 2nd century BCE until the 5th century CE. The famous Shaka Samvat calendar comes from this period. (A samvat is a calendar with its own way of counting years.) It runs 78 years behind the common Gregorian calendar we use today, and in 1957 it was chosen as the Indian National Calendar.
The Kushanas under Kanishka. The greatest of these outsiders were the Kushanas. They came originally from Central Asia and entered India around the 2nd century CE. At their peak, their empire stretched all the way from Central Asia across large parts of northern India. That is huge.
Their most famous and most powerful king was Kanishka. A famous stone statue of him survives — it is “headless” (the head is missing) but still grand, showing his clothing, weapon and footwear. The inscription on it calls him maharaja rajadhiraja devaputra — “the great king, king of kings, son of God”.
Look closely at Kanishka’s coins and you find the blending of cultures again. One coin shows Kanishka holding a spear on one side, titled “King of Kings”, and the Buddha on the other side, with the word “Buddha” written in Greek letters. Another coin shows an emperor on one side and Shiva with the bull Nandi on the other. Why would one powerful ruler show the Buddha and Shiva on his money? Because he respected many faiths — and wanted his many different subjects to feel that their gods were honoured by their king.
Figure 6.3 below sums up how different beliefs lived together in this age.
Trade, coins and art
We have seen a lot of fighting. But the same period was also a golden time for trade, coins and art. Let us look at each.
Trade with the wider world. This age connected India to faraway lands. Two great trade systems mattered.
- The Silk Route was a long overland road network. (Overland means by land, not by sea.) It carried silk and other goods from China, across Central Asia and Persia, all the way to the Roman world in the west. It got its name from Chinese silk, a prized cloth. The Kushanas controlled a large part of the Silk Route, so trade flowed and India connected with Asia and the West.
- Sea trade meant carrying goods by ship across the ocean. India’s coasts were busy with ships sailing to and from Rome and West Asia.
Figure 6.4 below shows these trade links.
Why did far-off Rome want Indian goods so badly? Because India had things they could not get at home — spices to flavour food, fine cotton textiles, ivory, and pearls for jewellery. And India wanted Roman glass and gold coins in return. When two places each have what the other lacks, trade grows.
Coins as evidence. We keep mentioning coins. Why do historians love them so much? A coin is like a tiny history book. Figure 6.5 below shows why — and also shows the two great styles of art of this age.
Two great styles of art: Gandhara and Mathura. Under the Kushanas, two famous schools of sculpture grew. Both are celebrated for mixing Indian and Greek styles.
- The Gandhara style grew in the northwest (the Punjab region). Its artists carved in grey-black schist stone and blended Greco-Roman features with Indian ones. They made fine Buddha images with realistic bodies and flowing robes. (By the way — does “Gandhara” remind you of a character from the Mahabharata? Gandhari was the princess of Gandhara.)
- The Mathura style grew in the Mathura region of present-day Uttar Pradesh. It used red sandstone and was a more clearly Indian style, with less Greek influence. It is known for full, smoothly modelled figures of Indian gods — Kubera, Lakshmi, Shiva, the Buddha, and the nature spirits called yakshas and yakshinis.
Let us put the two side by side.
| Feature | Gandhara style | Mathura style |
|---|---|---|
| Where it grew | The northwest (Punjab region) | Mathura region (Uttar Pradesh) |
| Stone used | Grey-black schist | Red sandstone |
| Influence | Strong Greek (Greco-Roman) plus Indian | Mainly Indian, little Greek influence |
| Look of figures | Realistic bodies, flowing robes | Fuller, rounded, smoothly modelled |
It was also in this age that great Sanskrit texts took shape, including major versions of the Mahabharata and the Ramayana. So art, stories and ideas all flourished — even while kings fought over borders.
Figure 6.6 below puts the whole age on a single timeline, so you can see who came when.
Common Mistakes
Let us clear up a few ideas that students often get muddled.
When the Maurya empire broke up, India fell into total darkness — nothing good happened until the next big empire.
A broken-up empire sounds like pure chaos, and we often expect a 'dark age' to follow when central power is lost.
In truth, this was a richly creative time. Trade boomed along the Silk Route and the seas, beautiful Gandhara and Mathura art was made, coins flourished, and great Sanskrit texts took shape.
The Indo-Greeks, Shakas and Kushanas stayed foreign forever and had nothing to do with Indian culture.
The word 'invader' makes us picture outsiders who only attack and remain separate from the people they conquer.
These groups settled down and blended in. They married into Indian society, used Indian gods like Vasudeva-Krishna and Shiva on their coins, and helped create new mixed art styles like Gandhara.
A king who personally followed one religion, like the Jain Kharavela, must have been against all other religions.
We often assume a devout follower of one faith would naturally oppose the others, the way picking one team means cheering against the rest.
Most rulers of this age proudly protected every faith. Kharavela called himself a 'respecter of every sect', and Kanishka put both the Buddha and Shiva on his coins.
Coins were only money, so they cannot tell historians anything about history.
Today coins feel like plain, everyday change in our pockets, so it is hard to imagine them as serious evidence.
Old coins are powerful clues. They reveal a ruler's name and title, which gods he honoured, the metal he used, and — by where they are dug up — how far trade reached.
Quick Check
Test yourself with these questions.
Why is the period after the Maurya empire called the 'Age of Reorganisation'?
After the Maurya empire broke up around 185 BCE, no single ruler controlled India. The land was reorganised into many new kingdoms that competed with one another — so it is called the Age of Reorganisation.
A Satavahana coin shows a two-masted ship, and such coins are found from Gujarat to Andhra Pradesh. What does this best tell us?
A ship on a coin shows that sea trade mattered to them and that they built good ships. Coins found far from home (Gujarat to Andhra Pradesh) show their trade reached across wide regions.
Kanishka's coins show both the Buddha and Shiva. What does this tell us about him?
Putting different gods on his coins shows Kanishka respected many faiths — a common attitude of rulers in this age. It also helped his many different subjects feel their gods were honoured by the king.
Practice Problems
Try these yourself before opening the solutions.
Easy
Roughly what time period does the Age of Reorganisation cover, and which empire's breakup started it?
The Age of Reorganisation covers roughly 200 BCE to 300 CE (about 500 years). It began when the Maurya empire broke up around 185 BCE, after its last emperor was killed by his army chief, Pushyamitra Shunga.
Name the three great kingdoms of the south during this period, and say what this southern age is also called.
The three great southern kingdoms were the Cholas, the Cheras and the Pandyas. This age in the south is also called the Sangam Age, after the Sangam literature — the oldest writing of south India, made up of poems written by an assembly (sangam) of poets.
Medium
The Indo-Greeks and Kushanas came into India from outside, as invaders. Yet historians say they became part of Indian culture. Give two pieces of evidence that show this blending.
Here are clear examples of the blending:
-
Indian gods on their coins. Some Indo-Greek coins show Indian gods like Vasudeva-Krishna and Lakshmi, not just Greek gods. Kanishka the Kushana put the Buddha and Shiva on his coins.
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The Heliodorus pillar. An Indo-Greek ambassador named Heliodorus set up a pillar near Vidisha and, in its inscription, praised the Indian god Vasudeva as the “god of gods”.
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New mixed art. Under the Kushanas, the Gandhara art style blended Greek and Indian features into a single new style.
Any two of these show that the outsiders did not stay foreign — they married in, worshipped Indian gods, and helped create new Indian art.
Explain why coins are so valuable to historians studying this period. Give at least three things a coin can reveal.
A coin is like a tiny history book. From a single coin, a historian can learn:
- The ruler’s name and title — coins often carry the king’s name and grand titles, like “King of Kings”.
- Which gods the ruler honoured — the god shown on a coin tells us the ruler’s beliefs and what he wanted to be linked with (for example, Buddha or Shiva on Kanishka’s coins).
- The metal and wealth — gold, silver, copper or nickel tells us about the kingdom’s riches.
- How far trade reached — coins do not move by themselves; people carry them. So a coin dug up far from its home region (like a Satavahana coin in Gujarat) proves that trade reached that far.
Because so many of these kingdoms left few written records, coins are often our best evidence.
Challenge
The chapter says that 'respect for all schools of thought' was a deep part of the Indian ethos in this age. Using at least two different rulers as examples, explain what this means and why it was remarkable.
“Respect for all schools of thought” means that a ruler protected and supported every religion and belief in his kingdom — not only his own. This was remarkable because the king himself usually had a personal faith, yet he still treated other faiths with equal respect.
Examples:
-
Kharavela of the Chedis was a devoted follower of Jainism — so devoted that people called him the “monk-king”. Yet his Hathigumpha inscription proudly calls him a “respecter of every sect and repairer of every temple”. So he protected all faiths, not just his own.
-
Kanishka the Kushana put both the Buddha and Shiva (a Hindu god) on his coins, showing he honoured more than one faith.
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The Satavahanas mostly worshipped Vasudeva-Krishna, yet they gave tax-free land to Vedic scholars and to Jain and Buddhist monks alike.
Why was this remarkable and important? Because these kingdoms had people of many different faiths living together. By respecting every belief, rulers kept peace and let many religions, ideas and art forms flourish side by side. This open attitude became a lasting part of the Indian way of life.
Summary
- After the Maurya empire broke up around 185 BCE, India split into many smaller kingdoms. This long period (about 200 BCE to 300 CE) is called the Age of Reorganisation because the old map was re-arranged into new, competing kingdoms.
- Kingdoms grew bigger in two ways: by peace (matrimonial alliances — friendship through marriage) and by war. Holding the borders was vital for safety.
- Inside India, the main kingdoms were the Shungas (north and central India), the Satavahanas (the Deccan, great traders), the Chedis of Kalinga (under the Jain king Kharavela), and the three southern kingdoms — Cholas, Cheras and Pandyas (the Sangam Age).
- From outside, invaders entered through the weak northwest: the Indo-Greeks, the Shakas, and the Kushanas under their greatest king, Kanishka. They did not stay foreign — they blended into Indian culture.
- Trade boomed, both by land along the Silk Route (much of it controlled by the Kushanas) and by sea with Rome and West Asia. India sent out spices, ivory and pearls, and brought in glass and gold coins.
- Coins are precious clues for historians: they reveal a ruler’s name, religion, wealth, and how far trade reached. Two great art styles grew under the Kushanas — Gandhara (grey stone, Greek-Indian mix) and Mathura (red sandstone, mainly Indian).
- Most rulers proudly respected all religions and schools of thought — a habit that became a deep part of the Indian way of life. Great Sanskrit texts, including versions of the Mahabharata and Ramayana, took shape in this age.
What’s Next
You have seen how, after one big empire fell, many kingdoms rose, traded, fought, made art, and mixed cultures together. India did not fall into darkness — it buzzed with creativity.
Now another great empire is about to appear and pull much of north India back together, beginning one of the most brilliant chapters in Indian history. Next, in Chapter 7 — The Gupta Era: An Age of Tireless Creativity, we will meet the Guptas and discover why their time is often called a “golden age” of art, science and learning.
Frequently Asked Questions
What happened in India after the Maurya Empire broke up?
After the Maurya Empire declined around 185 BCE, India split into many smaller kingdoms. In the north the Shunga and Satavahana dynasties rose. From the northwest came foreign invaders like the Indo-Greeks, Shakas and Kushanas. In the south, the Cholas, Cheras and Pandyas ruled. Despite the political fragmentation, trade, art and culture actually flourished during this period.
Who were the Kushanas and why was Kanishka important?
The Kushanas were a Central Asian people who invaded northwest India and built a large empire. Their greatest ruler, Kanishka, was a strong supporter of Buddhism and helped spread it to Central Asia and China. He also controlled the Silk Route -- the major trade road between India, Central Asia and China -- which made his empire very wealthy.
What was the Silk Route and how did it help India?
The Silk Route was a network of trade roads connecting India, Central Asia, China and the Roman world. Indian merchants sent spices, cotton, gems and ivory westward and received silk, gold and horses in return. This trade made Indian kingdoms rich and also brought new ideas, religions and art styles into India from distant lands.
What is Gandhara art and how is it different from Mathura art?
Gandhara art developed in the northwest (modern Pakistan-Afghanistan) where Greek and Indian styles mixed after Alexander's invasion, creating Buddha statues with wavy hair and draped robes similar to Greek sculpture. Mathura art, from the city of Mathura in north India, was a purely Indian style with rounder, more natural-looking Buddha figures. Both styles emerged during this age of reorganisation.
What was the Sangam Age in south India?
The Sangam Age (roughly 300 BCE to 300 CE) was the period in south India when Tamil literature and culture flourished, ruled by three major dynasties -- the Cholas, Cheras and Pandyas. Sangam refers to gatherings of Tamil poets who composed thousands of poems about love, war and nature. South India also had busy sea trade with Rome and Southeast Asia during this time.